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Friday’s Spotify playlist: Listen to albums reviewed today from Frightened Rabbit & Eels

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Every Friday, John Meagher reviews a selection of new release albums in Day And Night. Every Friday, we’ll publish a Spotify playlist of the albums (where available) so you can listen and judge for yourself.

This week we have two albums reviewed today for your listening pleasure: the new Eels 10th album Wonderful, Glorious of which John says Mark Everett’s “trademark defeatist humour is evident throughout – and it’s a feature that marks him out from the pack,” while Scottish anthemic folksters Frightened Rabbit come correct with their fourth album Pedestrian Verse, with Mr Meagher writing “the band’s scope and ambition suggests they sound like a re-jigged Waterboys for a new generation.” The other albums reviewed today are by Ron Sexsmith, Mary Dillon and Ólöf Arnalds but alas, they are not present on Spotify just yet.

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In tomorrow’s Day & Night: Tegan & Sara tell Ed Power about taking a stab at commercial music…

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TWINS PEAK

Sara of twins Tegan & Sarah tell Ed Power about taking a stab at commercial music, Jodie Foster’s coming out speech and life as a lesbian pop star

Plus

SONGS OF A SINNER

Foals’ vocalist Yannis is excited about the band’s third album… and owns up to Catriona Gray about shoplifting and being fired from numerous jobs

MARTHA WAINWRIGHT

On having a child and losing a mother in quick succession and why writing depressing songs always puts her in a good mood

THE CELEBRITY SICKNESS

Antiviral director Brandon Cronenberg discusses his famous dad David and tells Declan Cashin why stalking your screen idol is like having the flu

And the usual listings, going out guide, digital, restaurant reviews, album/film reviews and more.

All in Day & Night this Friday in the Irish Independent.

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Zero Dark Thirty

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(15A, general release, 157 minutes)
*****

Director: Kathryn Bigelow. Stars: Jessica Chastain, Jason Clarke, Joel Edgerton, Jennifer Ehle, Mark Strong.

Before it was even released in America, Kathryn Bigelow’s Zero Dark Thirty was incensing critics on the left and right. Some Republicans claimed it was pro-Obama propaganda, and were outraged by plans (which did not materialise) to release the film in America on the eve of last November’s Presidential election. Liberals, on the other hand, were deeply disturbed by two crucial interrogation scenes, and by what they saw as Zero Dark Thirty’s implication that torture had played a key part in the hunt for Bin Laden. There’ve been protests outside cinemas showing the movie, and even attempts to dissuade Academy members from voting it into Oscar contention.

It seems to me that if you’re incensing Republicans and Democrats, you must be doing something right. And I think Zero Dark Thirty has attracted such a storm of controversy not because it has an agenda about America’s response to 9/11, but because it addresses the subject at all.

Bigelow’s film makes an explicit link to the September 11 attacks in its opening moments, as chilling recordings of people trapped in the World Trade Center are played over a black screen. We then jump forward two years to a dank room in an American military compound where a prisoner called Ammar (Reda Kateb) is being interrogated.
(more…)

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Friday’s Spotify playlist: Listen to albums reviewed this week from Tim Hardin, Fleetwood Mac, Linnea Olsson & Delphic

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Every Friday, John Meagher reviews a selection of new release albums in Day And Night. Every Friday, we’ll publish a Spotify playlist of the albums (where available) so you can listen and judge for yourself.

This week we have various artists covering Tim Hardin, a folk-pop singer-songwriter from Eugene, Oregon, who
died of a heroin overdose in 1980, Fleetwood Mac’s classic Rumours (here in its original rather than remastered form), Swedish cellist Linnea Olsson & the second album from Manchester indie band Delphic.

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Freestyle Bane

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There’s been a lot of Bane Batman parodies but this scene where Bane raps to an unimpressed crowd is the best of them all. “When I say ‘no’, you say ‘survivors’!”

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